Tag Archives: contemporary collage

#CONTEMPORARYCOLLAGE (pretentious attempt at legitimizing DIY art on Instagram thru overused hashtags)

Formally speaking, collage is a term that denotes cutting or tearing pre-printed images from multiple sources and rearranging them into a new field of composition with some sort of adhesion to fix the various pieces of newly assembled image together in a new image. This type of collage is often a marked reveal of the inherent issues with formal images and representation. It is a way to simultaneously address the often overlooked fact that printed images/photographs are not what they represent and how not so obviously flawed image representation is. But in order to get down to the real issues of representation we would be calling this a preface to a much larger and (hopefully) less interesting dissertation on representation with footnotes choking each page half, if not two thirds the way up in a threat to break down the fortress of information by its own references.

What to me is uniquely #collage in the #contemporarycollage of today’s #contemporary is a seriousness in the absurd content that redirected forms conveys when placed by the eye/hand of the one reauthoring the images. Most things that are considered #art in my vernacular have a peculiar way of making me laugh. Not from direct intention of humor, but in a sudden presentation of something that is weighted with #truthiness, which could be argued is the definition of humor. Successful comedians often say that the funniest moments are moments that approach the truth about something that is normally too taboo to approach or something that no one is willing to say that everyone is somehow thinking in such a way that makes them acceptable and comfortable, if at least in that moment. Essentially we get to the facts of things however uncomfortable or obfuscated they are more easily through humor because it is the opposite of threatening. Again I would have a rather large text if I went on about #truth and #facts, so I will just say that there is a definite difference between the truth and what is a fact. Truth is dependent on so many factors and each person has their own unique truth, but facts are universal and can be in direct opposition to truths, which is a societal dilemma that we have not approached to my knowledge and has been thrown for a complete loop in the current American governmental political administration head. I would not like to say that there is a war on facts, though there may be, because I seriously hope that this was all a nightmare that happened only by illegal collusive means which will be soon discovered by the current investigations into just that.

My collages are an attempt to gain a closer look at the facts beyond the truths and I hope they do exactly that or at least piss off a few brainless #trumptards.

For more of my #collusioncollages and other truths go to my instagram:
http://www.instagram.com/transcendentalaccidentalism

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QUARTET OF TRANSCENDENTALACCIDENTALISM COLLAGES


As i step into a wriggling pile of misfortune, I am guided by the power of the incidental juxtaposition of objects made linguistically viable as it’s own vernacular creates itself as I facilitate it to do so by not interfering with what it wants or needs to say. The digitization of images and the development of portable network graphics files that can sit on a background of transparent nothing all around the internet, just waiting for something to search for them and to begin combining them into situations which might just be possible enough to believe. Even if the representation is completely absurd it is completely dependent upon theoretical politics, which are not understood by most American people, even though they are pushed, pulled, and dragged around by it while saying they “don’t like politics”. I often correct their use of the term hoping a light would go off as it did for me at the point when I realized that all things that require other people in order to function as what they are are political by their nature. Many people or a few people, it doesn’t matter. I’m not specifically siting governmental politics, which may appear in these collages, but only served to prove that the most accessible culture in this country is that of its governing bodies. everyday politics and the politics of the digital image are much more relevant with these pieces, but in an effort to point out the layers of politics at play, I will include that for the vast majority of the individual images I use that incorporate within the format, other people took the photographs and prepared them as transparent png files, thus forming a vital political relationship between each other, myself, and the audience. Perhaps the main reason I am comforted by this is that authorship is highly overrated.

But I will get into that some other time.

Eventually ….


COLLUSION COLLAGES

These digital collages are pieces from an ongoing and permanent series that had gone by a few names which will continue to be dynamic with contemporaneous events of our lifetimes. Intentional Misrepresentation and Collusion Collages are the two current titles being used.

to keep up with regular collage content, including extra video posts and generally absurd content that rides the edge of the truth, follow my Instagram:

transcendentalaccidentalism

 

CONTEMPORARY COLLAGE 

PART ONE – Higher Education Pre CSUMB

I’ve been painting my whole life. I never doubted I would go to college and there was never a doubt about what I would study. That’s more than many people get. Clarity can be essentially to moving forward with big decisions, but nothing can be that clear. My education was strange and a bit longer than most. In order to make my schedule work and to keep my GPA up I ended up withdrawling out of a few required classes that were flat out unfocused or just too basic. There were also the extra courses I took in biological sciences that I took just to learn from. All of this was what made it take 7 years for me to get my BA, though in reality I probably have taken more away from my major than most who have a basic master’s degree. I suppose I’ve planned on getting my MFA at some point, but until recently I had no obvious sense of what I would want to propose for a MFA project. 

I attended 5 different colleges. Three of them were junior colleges and the last two were California State Universities. When I transferred into the State system I was reluctant to take it very seriously. I was attending Fresno State University and the Art department had some fatal flaws in comparison to its football program. With so many students in a life drawing class that the few minutes I had to get from one class to that class always left me with a broken easle and nowhere to get my perspective on. The other studio class weirdness was that the materials list was less advanced than what the city college had where I had been painting for a couple years. Nevertheless, it was the theory and contemporary art history classes taught by Charles Gaines that made me leave FSU for the newset State University at that time. I learned so much from Mr Gains that I still go back through his readers and find myself recounting things from his classes. The odd part was finding out that he had been given the prestigious position of Dean of Fine Arts at Cal Arts and he stayed on to teach at Fresno State probably for tenure or retirement issues. I also later found out that I had gone to school with his son – I didn’t really know him, but it made things make sense.  What was sad was that at Cal Arts the courses he taught were full in the first ten minutes of registration. He taught these same courses at Fresno State, but the students were by and large opposed to them. Too much thought and emphasis on philosophy and psychology. To me, Charles Gains was giving us the answers to the big secrets in some strange codex of artists and their works. He also extended references to some very intense conceptual framework which for most students probably threatened the nice little bubbles that they had operated in. So in the end it was more of the fact that his two courses in my list of required classes were over with and I felt like there was nothing left but a downhill putter to graduation. One thing I learned was that whatever is new in art is probably where you want to be, so upon hearing that the closest shot to the ocean from where I was had converted the former fort ord into a University that offered 4 majors, art being one of them, I took a chance and went there with my wife who at the time was just transferring to the state system. 

To be continued. 

One for Monday … and the coming years

Meaning Lesson 101 - Fish and Water

a little subtle in suggestion, perhaps, but no less impactful in its lessons that teach us the meaning of fish.